Film Forum: Violent Movies, Violent Reviews What Christian critics are saying about Rollerball, Collateral Damage, Monster's Ball, Big Fat Liar, The Devil's Backbone, Italian for Beginners—and Roger Ebert. Jeffrey Overstreet
February 1, 2002
What exactly is a "Christian movie review"? When the word becomes an adjective, things get blurry. Some treat a Christian movie review as a sort of sermon-essay that draws on examples from movies. Others say a Christian film journalist should primarily review, promote, and applaud films that spell out the gospel in plain language. Still others write reviews as a discipline of renewing our mind, as Scripture exhorts us to do, leading us to "dwell on" what is "excellent … worthy of praise … of good repute" (Philippians 4:8) in all the art culture has to offer.
One film opened across the country this week that made it very clear just how many different uses there are for a Christian movie review.
Monster's Ball
is a drama directed by Marc Forster, filmed with quiet grace and a naturalistic style, like Terrence Malick's Days of Heaven. It stars the fantastic Billy Bob Thornton as Hank, a corrections officer carrying intense racial prejudice in one hand and a sidearm in the other. Hank's aging father Buck (Peter Doyle) constantly reinforces the family's race-hate. For example, he calls his grandson, Sonny, "weak" because he befriends black neighbors. Halle Berry plays Leticia, the wife of a convicted killer, who is trying to raise her son right and survive as a black single mother in the middle of the South's racial tensions. Hank is deeply shaken after a confrontation with Sonny (Heath Ledger of The Patriot), and his raw emotional wounds open the door for a new and unlikely friendship. When Leticia gets a job pouring coffee at Hank's favorite late-night diner, they become friends against all odds.
Make no mistake: This is a story about unbelievers, behaving in sinful, reckless, dangerous ways as they nurse their particular needs ...
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